-- by Derrick Ho
| Hero | Image | Villain | ||
| left | right | left | right | |
| wu | high gan inside | wu | punch center | |
| punch | low gan to get outside | pause | pause | |
| high gan inside | wu | punch center | wu | |
| low gan to get outside | waits | pause | pause | |
| tok elbow | inside gum wrist | wu | punch | |
| high gan inside | wu | punch center | wu | |
| low gan to get outside | punch | pause | pause | |
| wu | high gan inside | wu | punch center | |
| waits | low gan to get outside | pause | pause | |
| inside gum wrist | tok elbow | punch | wu |
The focus of the technique is the “inside gum wrist/tok elbow” arm capture. However, it is rather difficult to get to this capture directly. In the above drill the use of inner gan to outer gan is used. The gan is used as a method of capturing the opponent's rhythm. When you know the opponent’s rhythm, it makes the arm capture easier to obtain. If the opponent telegraphs really obviously then you can probably skip to the arm capture.
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